Louisiana Butterflies: a work in progress

 Currently I am creating artwork for a show in August.  I am staying optimistic that all the paintings I plan to produce will come to fruition.....at least that is what I keep telling myself. 😁

Anyway, here is a peek at one grouping of paintings. I plan to paint and infuse with encaustic  9 different Louisiana butterflies and show them as a grouping, titled, "When I Was With You." Butterflies to me are simply magical. I love they way they gracefully dance through the air, and transform from a caterpillar to butterfly. What better way to sincerely paint a part of my life with someone. Also, I am enclosing the poem that goes with these paintings. (Again, I am not a poet, but these words had to be written down.)  

Eastern Tiger Swallowtail, gouache on vellum

Pipevine Swallowtail , encaustic on wood panel

Red Admiral, gouache on vellum

Summer  Azure, gouache on vellum

Great Purple Hairstreak Butterfly, gouache on vellum 

"When I Was With You"

Surrounded by nature and the way you looked at me,

Made me believe,

That this relationship was meant to be.

Bright lights and passion flame,

Secrets came out,

No one is to blame.

A difficult conversation,

On an unplanned date,

I thought we were good, and sealed our fate.

My forgetfulness forced me to see you again,

Getting lost wasn't part of the plan.

You pulled me close and gave me a hug,

Oh god, could this be love?

Rough day in my other life and I needed your touch,

You gave me comfort,

Oh so much.

My animal instinct took control,

And desired you heart and soul.

You gave me all that I craved,

And I wanted more & more,

What can I say I am depraved.

Both of us are not in a good mental place,

I said something hateful,

To my own disgrace.

I could sense you were distancing yourself from me,

Well within your right,

Because of the words I said the other night.

I showed up unannounced on your doorstep like a stray,

I knew it was over,

But I begged to stay.

Thank you for your comfort and grace,

For a short while I found my place.

A place where my dark and light were safe,

At least that's how I felt in your embrace. 

Keep creating your legacy,

Christin

New Year, new painting ideas

 Today I finished an encaustic painting titled, "Navigating the Darkness". The painting will be on display during BREC's Swamp Spectacular Annual Art Event. I am looking forward to attending the artist's reception on the 16th.  (I even purchased a new dress for the event....purple velvet:) Check out the event: 

Encaustic painting, Navigating the Darkness:

Inspiration:

The swamp is where I go to release dark thoughts.  I push my bare hands deep into the wet muck.  Pulling away rotted leaves, digging deeper through the tangled roots, I bury those feelings that pull me under. In the swamp's water, I rinse the dark clumps from my still dirty hands, watching the breeze turn my hands from wet to merely damp. Sunlight sparkles on the water's surface and reflects on my face. It is in the darkness I learn to navigate so when the light reaches me, I have clarity.

Thoughts on this years upcoming paintings.  Spirit animals will continue to be featured in my paintings; however, my focus will be on a specific relationship I had, dare I say may have....or at least I want.  I went out with someone on a whim and dove in without thinking. Even though I should know better, I let my emotions control me. Now I am trying to get myself ready for the upcoming hard work that will go into these paintings; which will be on display in August.  NO pressure! LOL.  

Keep Creating Your Legacy,

Christin

Up Coming Fall Art Festivals

 Hi Everyone,

I have been busy in the studio creating artwork  for two fall Art Festivals. 

Check it out: 

Twin Steeples Art Festival in Ponchatoula, LA

Southdown Marketplace in Houma

This month I will be updating my website.  Check out one of my newest paintings.

Treasure Black Feather

If ya' ll come by the markets please stop by and say Hi.

Happy Fall,

Christin

Solar Panels are mounted on my Studio's roof

 A couple of weeks ago I took some time off from work so we could install the solar panels to my studio's roof before it got too hot.  What I thought would take all day only took a couple of hours......we were pleasantly surprised. 

One oops we made was waiting to attach the copper wire (ground) to the mounting bracket after installing the solar panels.  We should have done that first........because there was only about 3inches of room between solar panel and the roof and the copper wire had to be mounted in between that. Yikes,  did I struggle and there may have been a few dirty words that slipped out of my mouth. LOL

Now all I do when I walk into the studio is turn the inverter on and bam............I have lights and music.  We ordered a box fan from Amazon and once that comes in.......I will have air flow. I am very happy with the outcome.  I will be able to paint in the evening or when it is raining. 

Check it out: 

Solar Panels on roof with copper ground

Roof shot 

Happy Creating!

Christin

How not to destroy your Arches Watercolor Paper

 For a couple of years I have been wanting to paint on Arches Watercolor Paper; however, since starting my Studio I have been focused on producing not so much on experimenting.  This year I decided it was time to experiment, grow my ideas and my artwork.

I purchased Arches Watercolor Cold Press 140 lb paper and began drawing on it. Now, I am not the type of artist that can draw something in one try.  I am an artist who likes to draw, erase, draw, erase...etc. Unfortunately Arches Watercolor Paper is not recommended for this type of work.  On my first drawing, I destroyed the paper with the erasing. I was surprised by this.  In addition, I found some of my pencil lines couldn't be erased.  After doing a little bit of research, I found that quite a few artist will draw on paper and then trace to Arches.  It is an extra step but it keeps the paper from being damaged. I do love wetting the paper and dropping the watercolor paint onto this paper. Also, I find you need a lot of water to move the paint around. I do like that the paper can hold lots of paint..........so layering is a plus. Check out the mess ups on my first drawing. I circled the damage to the paper. Also I realized I should have been using a watercolor pencil compared to a soft pencil: 

Arches Cold Press Watercolor paper with mess ups

I still love my Grumbacher Watercolor 140 lb paper. Something about the hills and valleys. I definitely create less damage with my drawing on this paper.......and maybe this will be my go to paper.  I am still experimenting.  Although, I feel I can't add as many paint layers on this paper compared to Arches.  So I guess it depends on your style of painting.  I like to create loose washes, and this paper is great for that. Check it out. Here is an example of a loose watercolor on Grumbacher Watercolor Paper: 

Grumbacher Watercolor Paper with hills and valleys

Then there is the Canson watercolor paper.  I do like to draw on this paper but for watercolor it is ok.  The paper is basic with hardly any hills and valleys to hold the paint; which makes fixing mistakes very difficult.  I have overworked an area of a painting with this paper and the paper balled up. It never fails that this would happen with the painting was almost complete. LOL.  Check it out. This paper is fine for a simple watercolor like this vine work: 

Canson Watercolor paper, hardly any hills and valleys

I hope this post helps anyone attempting watercolors. Of course if anyone has questions, please don't hesitate to reach out to me. 

Enjoy creating.

Christin

Epson Photo Perfection V600 Scanner

 Last month Glenn gifted me an Epson photo perfection V600 scanner to help me with my watercolor prints.  Also, he installed the scanner to my computer. What an amazing gift. I am beyond grateful....it is magical.

Previously I 'v been taking my completed watercolor paintings outdoors to photograph. Having to rely on good weather is not the most efficient way to take photographs and I would easily become frustrated because I would have to wait for another good weather day to retake photos when the first set didn't come out.  

Of course with any new business adventure you try to keep your spending down, so I told myself one day you will get that scanner, just not now, and I pushed through.

Let's talk about the Epson Scanner.  I read tons of reviews, but could it possibly take great images of my watercolors; which can sometimes be painted very lightly.  

To my surprise this Scanner is amazing.  The scanner will even pick up light pencil drawings. So yes, it does an incredible job picking up watercolor washes and tiny details. 

Coloring.  We didn't do any kind of color adjustment on the scanner program.  I scan using professional mode.  I think the colors are very close and not all the time but sometimes I will adjust the colors in Affinity.

Stitching.  My watercolor paintings are painted on paper that is 11" x 17" size or 9" x 12" size.  Glenn found a Stitch and Save program for me.  So I literally scan my watercolor three times (left side, right side and then middle) and then tell the program to stitch.  The program does all the work and I end up with a complete image. 

I love this scanner!

The only thing slightly negative I should mention is the high pitch scan frequency.  Check it  out:  (Of course one of the dogs is barking in the background.  They do this too me every time I take a video. LOL)

For anyone out there who paints in watercolors and is looking to take their originals and turn them into prints, the Epson Photo Perfection V600 Scanner does a fabulous job getting you those high resolution images for high quality prints.

My best to you,

Christin

New Year, New Goals

 Happy New Year Everyone,

With a new year comes new intentions for building my brand.  I am hoping to make more artwork, update my studio website, and continue adding new paintings to my Etsy Shop.  I am determined to participate in at least three art festivals this year too. (Four if I have enough energy.:) 

I have been drawn to metallic watercolors for awhile and finally etched out a little bit of time to play with them. Last year, I started a watercolor painting and screwed it up on the first sitting....bummer.  So I took the unfinished painting and tested out my new metallic watercolor paints on the figure. Things I realized.  I won't be able to make fine art prints with paintings using the metallic paints.  The metallic paints look best over regular watercolor paint. Eventually, I will make more watercolor paintings with and without the metallic paints.  I am looking forward to the response of these new metallic watercolor paintings during festivals.  Check out my test: 

Lessons learned this past year.  I decided on the best watercolor paper for me to use. Believe me it took awhile. Although, I have tried Arches paper, I am drawn to Grumbacher's cold press watercolor paper.  I love the little hills and valleys. Additionally the paper doesn't get too distressed when erased. And I erase a lot. :) As for paints, I am loving the Sennelier watercolors. I am so looking forward to sharing my new paintings with you.

For fun, I entered one of my original watercolors into a show, and it was accepted.  Although to be honest, I think they take anyone's artwork with a swamp theme? Happily this month and next, one of my paintings will be on display, "Swamp Spectacular Show" in Baton Rouge.  Check it out:

Also, I donated an original watercolor for a silent auction for the Playmakers Theater in Covington.  The painting I donated is "Wintertime in the Swamp".I would love to attend, but is a "school" night for me. Anyway, Check it out: 

Painting ideas are constantly swirling in my mind.  I love my time in the studio.

Wishing everyone time for all the things you love to do.

Christin

Year End Review Regarding Art Festivals/ Studio

 Lessons learned, crisis averted, and being practical...........what a year it has been!

For any artist looking to participate in art festivals I hope some of my experiences help you with your interest in art festivals.

First and foremost, be prepared for the amount of work (physical and mental) that goes into participating in an art festival.  Usually it takes me two hours to set up and display my tent, about an hour to disassemble.  Even though I am very careful with rewrapping my artwork for the return trip home.....everything else is thrown into our vehicle to get us home.  The next day is when I return everything too it's rightful place, ex: rolling up tent walls, sheers, organizing display bin, etc.  I always make sure that the day before a festival I take off from work to prepare for any last minutes issues, there always seems to be something. Ha. Also, I take the day off from work after the festival to focus on inventory and reorganizing my bins.  Typically you set up your tent one day and then return the next for the festival.  On the last day of the festival you pack up and leave. Lastly, I think of my art tent as a pop up business, I want it to be eye catching, yet professional. 

Streamline:  Really think about what you should bring to display your artwork.  Do you really need two tables or can you make a beautiful display with one?  At the end of the festival you are usually very tired and the thought of having to lug that extra table you didn't need back home can be exhausting. Most artists set up their tent and display ahead of time.....I think this is a great idea. However, one I never followed. I tend to learn on the fly.....for better or worse.

Is the festival really worth the time, effort and money?  This is a hard one, because I feel like if you don't try, then how will you know?   Since I am still in my gaining experience phase, I tried many different types of festivals this year. Some were great, others not so much. I did receive good advice from a fellow artist, she says she only participates in two shows a year because she works full time, and it has to be a two day event, not a one day event.  I tend to agree with her, because I work full time too, and a two day event typically produces more sales.  Although, I do love The Shadows in New Iberia and will probably attend in the fall of 2024.....even though it is a one day event.

Give yourself time.....With any business, it takes time to grow.  Sometimes I compare myself to other artists, who have been participating in festivals  for years and have built up a clientele, and wish I could be like that.  We all have to start somewhere so it is ok if you don't have 1000 followers on Instagram and Facebook friends.  Eventually you will get there if you stick with it and are consistent.

Crisis Averted: I displayed a painting on the top of my checkout stand and I wanted to move my stand a few inches up to be out of the sun.  So I started to slide the stand forward and accidentally raised the top and everything fell off.  There went my painting flying into a ditch behind me. Fortunately the painting wasn't damaged and there was no rain water in the ditch......but I realized I need to be careful how I display my artwork. Accidents happen, so I display artwork to minimize damage.

Being practical:  Did I really need to build a grapevine chandelier for my tent?  I didn't even bring it to the last show..........I was too tired. Now the thing is taking up space in my studio. Eventually I will disassemble it but not until I have free time.  Oh did I mention I work full time? LOL    Art Festivals require a lot of moving parts.  Where will you store your artwork, tent, tables.....etc when not in use?  Our entire house has some aspect of Christin's studio stuff, along with her tuff shed converted to studio.   Needless to say, it is a commitment in time, storage and money.  Hopefully I didn't scare anyone!

Ultimately, I love participating in art festivals.  I love meeting people and explaining my art process.  You never know who you are going to connect with. You have to be the type of person who can roll with the punches too.  I had a woman tell me my fairies (in the paintings) weren't real fairies because they were too large compared with the landscape.  I smiled and said, I have to think about that.  However, in the back of my mind I was like, you don't get what I am doing. Ha. Seriously, you can't take anything personal.  People are entitled to their opinions and they do not mind sharing:)

I did want to share upcoming ideas for 2024:  Check it out:  I purchased metallic watercolors and Sennelier watercolors. 

Here is a (part of an) oil painting I started working on last year but I will be turning into an encaustic painting, titled< "In Her Garden". 

So that is that.

I hope everyone has a wonderful holiday and the best New Year.

Keep creating

Christin 

Ahhh the start of fall

 Fall is in the air........well maybe not here, but the days are getting shorter and it is slightly cooler..........and I am happy just for that. So I am preparing for three fall shows and I still have much to do.  I tell everyone work (job) gets in the way of my fun. LOL

I finished my foldable check out stand.  Yes, I custom built the stand, scallop and all.  Check it out: 

Costs:  fencing wood was recycled but I did spend hours sanding the boards down and cutting out the rotten parts. Since this was an old fence....underneath the worn surface was  beautiful solid wood. Although if you do have to purchase fencing I believe the boards are around $3 each. I did purchase one 1" x 2" x 8' wood stick for the shelf brackets. Cost $3. Also, I purchased a better piece of wood (1/2" plywood) for the top and shelves which cost about $13 . I believe the piece was 24" x 36".  The scallop wood trim was left over pieces from my flip bin. The hinges were repurposed from my screen doors I use for art displays.  The white stain I had on hand; however, I did purchase satin polyurethane which cost around $17.  I sanded down the wood in between the 2 to 3 coats of poly...........yeah I definitely didn't want any splinters while handling the stand.  

I am happy with the design and by keeping the stand narrow, it is not too heavy to lift in and out of the truck.....which means I can do it myself. The size is 39" tall by 24" wide and the sides are around 12"The amount I spent was reasonable, (do able for my art budget)compared to the portable stands for display booths that can cost up to $800.  

I know to measure twice cut once; however, I did make a mistake that cost me time fixing.  I made the sides too wide so that when I folded the checkout stand it wouldn't lay flat.  What a bummer, because I glued & screwed the fencing together.  So I had to use a circular saw to cut down a 1/2" from the sides. Of course it came out a little rough so I had to sand down the rough edges.....but hey I shouldn't have to rebuild another one anytime soon:)

I did purchase a couple of yards of cotton duck fabric.  I plan to sew up a carrying case for it.  Since the top and shelves are removeable.........I really want a case to keep everything together.  I still have time to sew one up, but if I can't get to it for the first show....I am ok with it, and will get it done for the next show.

Check out the map for Twin Steeples:

My tent # is 45.   I am so excited ....smiling big right now!

My best,

Christin

It's Showtime

 It’s showtime:

Thankfully there is a break in the weather, about a 7 degree temperature drop and we have had rain. (Big Smile).  I was trying to finish my last encaustic with a heat index of 107….My poor encaustic medium took forever to cool on the wood panel. I tried using a piece of watercolor paper to fan it. No bueno, I say.  Over the weekend, I finished the last encaustic painting for the up-coming shows ………..and it was most troublesome.  At one point I wanted to cry out in frustration, maybe it was due to the dripping sweat?... regardless a swoosh of wind blew glitter not where I wanted it on the painting and at that point I had to laugh.  With a sigh, I say, the painting is complete, and now it is time to move on to the non creative side of art shows. 

Here are my new business cards and professionally printed up glossy postcards. Check it out:

Business cards and glossy postcards for shows

Also, I am in the process of  making a foldable check out stand.  I repurposed a piece of our old neighbor's fence that was taken down by our new neighbor.  (That was an event that took too much time away from painting and left me struggling to catch up.)  Also, I am using wood scraps from our garage; although I will have to purchase a nice piece of smooth wood for the top.  The goal is for me to be more efficient with wrapping artwork.  I think by having shelves this will organize my boxes and bags.  I am looking forward to seeing how the checkout stand will work during shows. Fingers crossed. I will share my checkout stand when it is finished.

Lastly, I created this haunting painting. This is a larger painting: 16" x 20" wood panel.   Originally I designed the swamp background for a swamp mermaid. After painting the background with encaustic, the swamp mermaid I painted on vellum didn’t feel right.  So I pivoted.  I really wanted something ghost-like to complement the background.  The idea of protection came to mind.  The whooping cranes in Louisiana are a protected species and what a beautiful tale could be told about a ghost that appears only during a pink moon and she speaks to the whooping cranes to find out about their well being.  Of course the whooping cranes can talk under the pink moon. 

In October, I will have a tent at the Twin Steeples Art Market in Ponchatoula. October 7th & 8th. Also, I will be at the Metairie Road “Art in the Park” October 28th.  Check out their Facebook page

Art in the Park, Metairie Rd

Keep creating,

Christin

Oh Mother Nature

 Even though I love working in my studio, the temperature has been brutally hot.  So to keep me on track for finishing up my encaustic paintings I moved my tools to the garage.  I noticed a nest in the garage but really did not think anything of it.  Well a bird laid three eggs in the nest and now they are babies.  I have been staying out of momma's way, so no garage and no encaustics. 

Regardless I continue to work on the oil backgrounds for the encaustics and all the elements. As soon as the babies leave the nest...........I will be back in business and will have lots of encaustic medium to melt. 

Since I have no encaustics to share I thought I would do the next best thing and share the elements and background for a painting titled, "Swamp Desire".  Check it out: 

This painting was inspired by the red orange dragonflies that have been hanging out in our yard.  I don't particularly remember ever seeing them before till this year....but who knows?

They have such an interesting color........it is not quite red yet not quite orange, but striking regardless.  They will pair beautifully with the cute little swamp mermaid.  I am so looking forward to completing this painting. I will be adding some celery green mica powder to the painting as well. 

Oh, let me share some fabulous news.  I was accepted to participate in the Twin Steeples Village Art Market  Check it out: 

The festival is located in Ponchatoula, LA famous for the Strawberry Festival.  I am so excited.............I can't wait. If anyone attends please tell me Hi!

I am not embarrassed to share I did not get into the New Orleans Art Market. There were so many reasons why they rejected me that all I could do was laugh.  Although I did take one criticism and immediately remedied the situation.  Basically I forgot to show on my art studio website that I sell original artwork not just my archival prints.  Oh well....it was like no time like the present to fix it. 

Lastly, I really needed to order new business cards for these upcoming shows.  I used Got Print online and they should be here in about a week.  I will share on the next blog.

Keep creating, 

Christin

Feather Whimsy

 Feathers seem to find me............I am not sure why, but I love the special messages feathers offer.  Did you know that if you find a white feather that is your guardian angel telling you they are there right by your side?  What a special and unique way to communicate.  

Typically, I see feathers when I am walking the dogs or doing some other outdoor activity.  They catch my eye and of course I have to pick them up. I have quite a collection.  Here is a collection in a raku vase.  Of course I have them in special "treasure" boxes too. 

Feathers in a raku vase 

My artwork reflects feathers that I find.  Here is a watercolor I completed earlier this year called:  "Feather Whimsy".  

"Feather Whimsy" Original Watercolor & Archival Prints available.

Also, I create drawings of feathers on vellum and then incorporate the vellum into encaustics. Check this out: 

Feather Treasure, Encaustic on Prepared Paper

Anyway, I had to take a small break from creating encaustics.  When the temperature outside goes down (yes I said down) to 93 degrees then I can get my heat gun out.  Currently, the temperatures have been around 98........wow.  

Happy Creating

Christin 

Creating a body of artwork for Art Festivals

 Currently I am working on encaustic paintings; which not only take me more time to create then my watercolors, but they also need time to cure (harden) before I sell them.  Since I create the encaustic process outdoors, I was hoping to have them finished before New Orleans' summer heat would swoop in, but it didn't happen:(   Let the sweat roll. Ha!

Check out my encaustic station outside, which includes a large griddle and heat gun: 

Encaustic Station Outside

Despite the occasional burn or hot encaustic falling onto my feet, I am enjoying the process.  Like other mediums to create artwork, you should have a map in your mind or sketch of how you want it to look or feel.  I do love the "happy accidents" that occur in creating artwork, and I have made a lot of happy accidents with my encaustics. (But that is how you learn. ) Yes at one point my entire encaustic station was encrusted with glitter............well at least it was pretty and I am sure the fairies enjoyed the sparkle.

Here is my latest encaustic painting titled, " Dangerous Mushroom III" 

Here is my process to create "Dangerous Mushroom III" encaustic painting: 

First up: I painted my figure and "elements" on oil on vellum.  (I use the word elements to describe the small bits of paintings on vellum such as the red mushrooms and fern.) I let the vellum dry for about a week. Meanwhile, I applied three coats of primer to my wood panel.  Then I applied a foundation layer of oil paint; which I let dry for about a week. Next, I brushed a layer of encaustic medium over the oil foundation, and then using a heat gun, I heated the encaustic to smooth out certain areas. Let cool. 

Figure placement: Once I decided where to place my figure I briefly heated up the encaustic area and laid the vellum down.  With a spoon, I gently rubbed the figure into the encaustic. Then, I brushed on another layer of encaustic medium.  I used the heat gun again to fuse the layers together being careful not to over heat the vellum because it curls up.  I continued with the same process until all the elements were in place. 

 Final step, glitter.  I heated up areas using the heat gun where I wanted glitter on the painting. Gently I scattered glitter on the surface.  The encaustic and glitter was reheated again using the heat gun and allowed to cool. 

Personally, I think of the heat gun as the same as a paint brush.  The heat gun can be used to manipulate the encaustic medium and the oil paint.  

So that is pretty much is my encaustic process for now.  I am sure that it will change and evolve which happens over time. 

I am looking forward to displaying my new encaustics in the fall.

Best wishes,

Christin

Encaustics, watercolors, art festivals and children's book...oh my

 Encaustics:  

I love this medium.  Basically, the encaustic medium is beeswax and resin; which is heated  and applied to a wood panel.  You can layer drawings, and photos or even create an oil painting and apply encaustic over the painting. Recently I have been experimenting with glitter and mica.  Currently, I have been painting my figures on vellum in oil and then layer them into the encaustic medium. Although I don't have any new completed encaustic paintings to show you all, I do have an image of an oil painting on vellum. The title is " The Bee Fairy": 

(Oh, I should mention I only sell encaustics in person.  They are not on my Etsy Shop.) Here is an encaustic I finished earlier this year.  Titled, " Fall Flight Path": 

Watercolors: Currently on the back burner. Once I finish up with encaustic paintings I will return to watercolors. I do have several drawings waiting for paint. 

Art Festivals: I did apply to New Orleans Art Market; however, an email was sent to me that they are hiring a new market manager and asked for my patience. So who knows when this will happen? Otherwise, I am committed to "Art in the Park" in October on Metairie Rd. & "Citrus Art Market" 

Children's Storybook: So a few years ago I wrote and illustrated a children's book; however, after laying out the design of the book............I realized I didn't correctly illustrate the book.............big bummer. I didn't have the correct number of pages, and I put the main character on a page where it would have been cut off in the center. (bummer)  So I began again.  Although, a lightbulb did go off in my mind.  I don't have to have my illustrations for the book............so I started submitting the book to publishers this year.  In the meantime and for fun, I created a power point video with the beginning illustrations.  I figured as I create new pages to the book I will add to the video until all the pages are complete.  Check it out: 

I am very grateful to everyone who has purchased, and admires my artwork. I love to paint and it is touching when someone connects to your artwork. 

Keep creating..........persistence pays off.

My best,

Christin 

Thank you to everyone for making the Shadows Art & Craft Festival so much fun

 We had a great time in New Iberia.  The Shadows Plantation is a wonderful place to showcase your artwork, especially if this is your first out of town show. The commute for us was about 2 1/2 hours......so not bad.  I was able to fit everything in the back seat of our truck and the bed of the truck. Somehow we managed to fit our bikes too. 

This is a laid back type of show; which was perfect for being tired. We had to do a lot of unloading and loading.  I see why a lot of artists have little trailers so they can lock their stuff up.  Eventually I do need to get some type of camper top that locks for the truck or mini trailer. (Future endeavor). So Glenn did most of the lifting and hauling because of my shoulder injury.  I did suggest to him we should purchase a collapsible wagon before the show but he felt confident we didn't need it.  After the show he mentioned we really need one. LOL .Seriously I appreciate all his help..........I couldn't have done it without him:)

I did try out my new tent wall idea; which is using heavy mesh tent to hang artwork vertically. I didn't do a test before the show........for in my mind I knew I would make it work.  Surprisingly it did.....no issues. Also, I purchased lighted vines for the inside of my tent.  I love the effect, and ordered more so my entire tent will be covered. Also, I made custom table runners with my logo.....I love them. 

Things I still need to make smoother.  The checkout station.  For some reason this continues to be my downfall, specifically wrapping encaustics and bagging them.  I recognize that this is an issue and needs to be streamlined.  So by next show I will pull it together. 

Lastly, thanks to everyone who signed up for the raffle & receive my newsletter.  A winner was emailed and their print is on the way.

Check out my tent: 

Magical Series 

Encaustics

Encaustics

Front of tent 

Magical Series 

Swamp Series 

  Keep creating.

Christin